Showing posts with label beach picture. Show all posts
Showing posts with label beach picture. Show all posts

Thursday, June 22, 2006

to my bored reader(s) and neighborhood thieves

i recently received some blunt criticism regarding the 17 point scale. a loyal reader frowned and said "your blog hasn't been very good lately." and that's it. no request for expanded seahawks coverage or spicier cooking tips. no call to cut out the photography. not a mention of how i might ammend my errant ways. well, what the crap do you want me to write about?

and speaking of crap, why would someone steal a tent pole from my backyard? thanks for leaving the tent, but what are you going to do with a single tent pole?

oh, and has anyone seen my headlamp? in any case, i'm leaving for saskatchewan on thursday--with or without my tent pole (and head lamp). thus, i won't be posting until i return next week.


andrew david. "the rejects 2: hand jive; our casa complex; a fence; the way; untitled #43" yelapa, mexico.

the colors in 'our casa complex' are not digitally altered. i don't know where the greenness came from...

'untitled #43' was a picture that i really liked. i played with it for awhile, but i couldn't find a good crop. another interesting idea that just didn't work...




Wednesday, June 21, 2006

packing list (part 1)

beth and i are driving from seattle to saskatoon, sk. what should we bring?
1. razor
2. shaving cream
3. toothbrush x2
4. toothpaste
5. deoderant x2
6. clothes (boxers x7, swim trunks, jeans x2, casual wedding garb pants & shirt, t-shirt x6, socks x7, belt, sweatshirt x2, coat, shoes, sandals)
7. atlas
8. other notes re: instructions and campgrounds
9. camera x2
10. camera charger
11. ipod
12. ipod fm transmitter
13. laptop x2?
14. tent x2?
15. sleeping bag x2
16. pillow x2
17. headlamp


andrew david. 'the rejects 1: keeping current; observing the surf; oncoming traffic; hot day' yelapa, mexico.

Monday, June 12, 2006

life gets in the way of blogging yet again

friday - hot tubbed in portland
saturday - mocked rose paraders, tried to climb an elephant, shopped at powell's, ate pietro's pizza, played sardines
sunday - ate barbeque, river frolicked, and played horseshoes at the oines bungalo on puget island
monday - dined at the mountain something cafe, watched my first free movie from blockbuster online (munich)
tuesday- no plans
wednesday - no plans
thursday - no plans
friday - go out of town?


andrew david 'loot' yelapa, mexico.

i'm not quite sure what i mean by loot. i didn't have a chance to rummage through their contents. probably contraband of some kind, but that unknown is part of the mystery that i hoped to convey. however, i obviously didn't frame the picture very well. when looking at this one, my eyes go directly to the boring blue sky and then they're lost. can anyone think of a good crop? also, the boxes mimic the hills in the background, and rather than compliment one another, this proves counter productive. still, i really like the sand shadows in the foreground.

Tuesday, May 23, 2006

les miserables

tonight i skimmed part of practical photography while strolling through barnes and noble. reading that magazine kind of erodes my sense of the spontaneity of photography. the editors strongly encourage photographers to plan their photo sessions or, worse yet, to stage their photographs. this makes pratical sense, but somehow i'm afraid that it dulls the creative juices and cheapens the magic of a good photograph. oh, well.

i also saw les miserables. if you ask me about it, i might tell you some things. otherwise, i'm going to bed.


andrew david 'quintessential picture of a donkey and a palm tree' yelapa, mexico.

Thursday, March 23, 2006

you think i'm weird now? check this out.

an excerpt from the notebooks of andrew and hakeem
somewhere around page 33
paragraph 1
written by andrew
ca. 1995

When he awoke, the chicken was dazed and confused. He lay face-down in a large pile of gravy. Although he (or she) was so disconcerted that he couldn't remember his name, he knew for a fact that he did NOT like gravy. In fact, he could even recall the time when he was a young chick and a farmer had fed him gravy 'cause he needed to be a "nice chunky chicken so we all' can have leftovers after Thanksgiving and for the days ta' come" and when at the first bite he had spewed all over the nearest cow (it actually was a piece of cardboard painted as a cow; the farmer sold tickets to come and see the "talkin', three legged, cow wit' a tattoo of a naked farmer on his purty' little rump," and the cow didn't really talk, the farmer hid his wife behind it, and she answered the curious sight-see-ers questions). He could tell the gravy was old by its milky texture and its aroma of poached trout. After all the miserable years he spent on that farm eating that appalling gravy (what could he do? the farmer had held a knife to his neck. and once the chicken had exceecded the farmer's height, the farmer had pointed a shotgun at his belly. besides, the nastiness was only temporary; he, the chicken, had always regurgitated it soon afterward on some unsuspecting victim, usually the farmer's wife) the chicken had become, unwillingly, a connoisseur of gravy. He could tell with ease that this gravy was past its expiration date, probably homemade, and laced with heroin.

Though he had instantly come to this conclusion, which would have taken experts weeks to discover, his mind was still working slow (some would say his mind was always slow). In fact it took him five minutes to decide to try to get his face out of the disgusting stuff and another five to decide how. When he finally raised his head, now wrinkled due to a long period of exposure to the gravy, he found himself in a dumpster.

The dumpster was basically empty except for the four inch thick layer of gravy he was laying in and a few cabbage heads here and there. In one corner of the cavernous dumpster came a dim light which was partially blocked by the back of what appeared to be an old man. The seven and a half foot chicken tried to right himself but it seemed the gravy had weakened his monumental strength.

At the sudden move, the figure did a 2,700 degree turn (about seven 360s and a 180) in the air and came to face the chicken....




andrew david 'six pictures of a sunset' puerto vallarta, mexico.
these pictures might have had a chance if i had a tripod. in the first picture, i was hoping for a spectactular reflection in the sand. oh, well. otherwise, they're typical sunset photos. i can't even think of a photoshop technique to salvage them.

Monday, March 13, 2006

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for the rest of the month, i'm stuck at my desk pouring over thomas carew, gertrude stein, euphuisms, and every other potentially testable scrap of world lit. therefore, the 17 point scale is officially proclaiming march the 'live-vicariously-through-your-friends-and-online-neighbors' month. that is, since i'll be confined to my study corner, i'm encouraging you to explode forth from your computer and perform all kinds of crazy deeds in the name of andrew. hmmm...that means, if you're not me, this is actually the 'my-friend-and-online-neighbor-is-living-vicariously-through-me' month. there must be some way to consolidate those two names...in any case, as you go about your living, i strongly recommend exploring BAC, an exciting assortment of FREE artsy classes. these quick courses range from irish dancing, thai cooking basics, and zimbabwean singing to ts eliot's the wasteland, cheesemaking, and an introduction to the didjeridu.


andrew david 'a postcard from 1971' peurto vallarta, mexico (day 1).

Friday, March 10, 2006

nastiness

state route 99 is the lesser traveled little cousin of i-5. i don't like to play favorites, so i tend to take i-5 during the morning commute and 99 in the evening. however, i think i'm a rarity in this even-handed use of the washington state byways. some seattlites, like neuropsychological and neurophysiological technician sean meichle, pass their props to 99. others are devoted to the eight lane behemoth that is i-5. perhaps the only consensus regarding these north-south tributaries is that they are both in serious need of work, especially 99. as they pass through downtown, the narrow lanes of 99 ascend a series of ancient stilts and pass through a cavernous tunnel. according to most reports, in an earthquake this section of 99 (known as the viaduct) would be a disaster. tonight, as i was navigating north through a sea of red tailights, there was just such a catastrophe. with an odd rumble, my southern slice of highway suddenly crumbled beneath me. my trusty truck lept from the crashing concrete and barrelled through the air, but its flight was doomed. the puzzled craft and i flew headlong into the waiting supports of a still intact northern segment of highway. in the instant that i dreamed this surprising death, i thought 'God, forgive me...' and then somehow kept driving; thankfully, it was just my imagination (running away with me)*. i'm not really sure what spawned this harrowing imaginative burst, but it was certainly surprising.

after arriving safely at home, i whipped out my laptop, checked scores on espn, and then dropped my head on the pillow for a little nap. a moment later, i felt my nose running a bit, but thought nothing of it. this was nap time, no time to worry about a little snot. i lazily wiped my nose with my hand -- something felt funny. snapping my eyes open i saw a bright crimson pool on my pillow -- a bloody nose! what the heck? can someone tell my why, after twenty years of mild nose abrasions and no blood, i suddenly find myself bleeding all over my bed? what the goose? here's google's attempt (oh, i also have a bit of a headache), which could be a bit frightening...


andrew david 'stuck inn here' the tropicana, puerto vallarta, mexico
day 1, the hallway right outside our hotel room. i can't decide if i like the ant-like duo in the bottom right corner of the window. they're probably too small for web-watchers to render much of an opinion...


* corrected link; i was previously trying to link directly to the online music clip, but apparently you can't do that; it only worked temporarily. now the link takes the surfer to the music clip page, and the surfer has to scroll down (or use ctrl-f) until he or she finds the clip.

Wednesday, March 08, 2006

a joke and some nachos

LAFFY TAFFY JOKE (part I)
Q: what do you call a sleep-walking nun?

what if i posted a one-picture entry with no text? would you think i'm lazy? i recently installed a stat counter on my blog so that i can better monitor traffic on the 17 point scale. that's right, i'm watching you; ack, this blog is making me crazy creepy. you see, for some reason i have an overwhelming desire to lure the masses to my silly site. thus, i'm worried about writing sucky little meaningless entries (like yesterday's and today's and tomorrow's) because people might realize 'this is crap' and spend their time elsewhere. why do i care? okay, this is where i get over that. right here.

LAFFY TAFFY JOKE (part II)
A: a roamin' catholic


beth the s.o. 'crazy creepy andrew, some nacho goodness, and a dog' puerto vallarta, mexico.
day 1. see the dog napping behind my chair? he was just many of the canine friends of my mexican vacation.

LAFFY TAFFY JOKE (epilogue)
isn't that joke hilarious? go ahead laugh aloud. perhaps you need some encouragment: hah ha aha hah...

Tuesday, February 28, 2006

my blog is like beth

i never know where beth will take me. perhaps that's because i'm a guy and for whatever reason i am blessed with the uncanny ability to drift off at just the wrong moments. yes, mother, ideally i would never drift off. but come on, if that were the case, i'd probably have a harem by now (perhaps compliments of this wonderful batch of personals). so, as the occasionally deaf, one-woman man that i am, there should be little surprise that this evening i found myself somewhere that i didn't quite expect: in the midst of a gospel-style worship service. i later discovered that this exhuberant hand clapping, joyous shouting, and singing--a relatively unfamiliar way of talking to God--was merely a prelude to the night's expected entertainment (or more appropriately, enlightenment), a message by Dr. John Perkins, 'the renowned civil rights leader and founding partner with SPU of the John Perkins Center for Reconciliation, Leadership Training, and Community Development (whew--that's a lonnnng title...it comes from spu.edu, but i'm not posting a link because the quote may not be available after today).' dr. perkins shared some interesting points regarding racism, christianity, and the disaster-battered state of the deep south, but it was the gospel choir that first got my attention.

still, despite the novelty of this form of worship, i was struck by an odd parallel. based upon tonight, it appears that gospel music tends to repeat a line or a chorus over and over again. during the course of this repetition, the choir director may tinker with the congregation's intensity or tone, but the words remain the same. shifting gears to a more personal one-on-one (that is man and God) setting, this emphasis on repetition is surprisingly similar to an old orthodox practice (and roman catholic too, i think...isn't there a latin term of some kind? kyrie gaglingok?). in
the way of a pilgrim (or more particularly, the philokalia), an unknown, 19th century wanderer recounts his discovery of the orthodox 'Jesus prayer,' a simple sentence that christians were taught to pray unceasingly. "Lord Jesus Christ, have mercy on me," they would pray all day, everyday. now, i know that i have a penchant for finding quirky little connections where there are none (take poetry and football, for example), but even now i feel some sense of gladness at this link between the ancient and the more modern pictures of my faith.

earlier today i was asked, 'if you could attend a live concert by any musical artist, living or dead, who would it be and where?' after nearly mumbling my way out of the question, i thought of the many sundays that i've sat on the floor at st. mark's and participated in a compline service. every time that i stare up into the cavernous space of that church and hear those voices rise mystically above me, i feel a reassuring connection with the past. i'm reminded that as i stumble along this journey of faith i'm not alone. the path is well-worn by other men and women down through the centuries. and that's probably why i dismissed elton john, ben folds, switchfoot, radiohead, burlap to cashmere, and other more likely candidates in favor of some 7th century cathedral with an anonymous cluster of monk-dudes singing gregorian chant.



andrew david. 'one too many, version 2' puerto vallarta, day 1.
these were our first 2 for 1 margaritas in mexico.