what i like about my kindle (faces!) part 1

when my kindle hasn't been used for awhile, its screen flashes and the text of whatever i was reading is replaced by a black-and-white image. sometimes that image is an ancient-looking scene bound by foreign calligraphy. sometimes it's a portrait of a well-known author--jules verne, jane austen, ralph ellison.

these images sometimes bother me because they remind me of barry moser, the artist who does beautiful black-and-white prints of figures ranging from flannery o'connor and joseph conrad to potiphar's wife and jesus. that's not so bothersome, except that my ex-girlfriend loved barry moser prints, and i sometimes prefer not to think about my ex-girlfriend. or about love. or about my ex-girlfriend loving something or someone else.

however, dicey personal relationships aside, i really like this feature. in fact, i believe it could very possibly change the world for the better. it could even succeed where school, society, and our own misguided preferences have failed us.

since i'm making grandiose statements, here's another one: i believe we are a culture that doesn't like to think. i believe that we don't like to be challenged. we prefer our routines and simple comforts. our lives are hard, and so we take our life lessons and use them to build forty-two-inch tvs. we take that hardness and build sofas and lazy boy recliners.

when i come home from work, i slip past my dirty sink, my messy floor, my unopened mail, my hulking copy of Swann's Way. i pour myself a bowl of cinnamon toast crunch, and i eat my way through an episode of some meaningless drama, perhaps even a meaningful drama. i rarely do the hard thing--i don't invest time and energy into a fine meal, a community need, a new idea. 

and i think our book reading habits are a symptom of this cultural trend. fantasy, children's lit, mysteries, thrillers, sci-fi (excepting hard sci-fi), historical fiction, women's fiction, romance, and occupation-related material all sell relatively well, whereas that segment of publishing which keeps the language alive, which makes a think, which values a word, a phrase, an idea, well, literary fiction is simply managing to survive (see "pimp my novel" for a more thorough autopsy of genre sales). 

it's possible that i'm wrong and the lagging sales of literary fiction tell us nothing about our culture--though i may fight to the death to defend that notion--and it's possible, even likely, that we are not what we read, not entirely. 

but regardless of one's perspective on the relationship between what we read and how we live, i'm encouraged to see the bookselling segment of corporate america fighting back. i'm ecstatic that my kindle doesn't sport portraits of dan brown, stephenie meyer, and jk rowling. and i have hope that by highlighting texts that seems ancient (and therefore, somehow important) or famous figures from literary fiction's past, the kindle could implicitly prod its owners to consider again the classics. those images very well could be the seeds that lead us to supplement our escapist fiction and work-related texts with great literature.

and this sack of lazy bones likes that.

my culturally savvy christian blurb and some words on poetry

the june 15 issue of imageupdate includes the s.o.'s reviews of sandra scofield's the scene book and michael mott's the world of richard dadd.

in addition to noting that she's reviewing two books, not one, i'd like to emphasize that mott's book is poetry. indeed, i'm particularly impressed when a fellow non-poet like the s.o. can pull that off. yes, i was an english major; i have scanned and explicated my share of strange poems, and i do all right in the comprehension department, but reviewing the stuff is beyond me. i feel rather inadequate when it comes to comparing the quality of one poem to another. i suppose prose is just my thang.

why all this attention to imageupdate? well, i also contributed to the latest issue, and it went something like this:

The Culturally Savvy Christian: A Manifesto for Deepening Faith and Enriching Popular Culture in an Age of Christianity-Lite by Dick Staub

There’s a good chance that the writer and social commentator Dick Staub is a secret apologist for Image. His newest book, The Culturally Savvy Christian, closely parallels Image’s underlying mission: it vigorously challenges readers to discern rather than idly consume, and more importantly, to nourish the contemporary culture rather than becoming pop culture clones. As the past host of a syndicated radio program, Staub has mastered the art of pairing people with ideas and watching them take off. This talent makes The Culturally Savvy Christian a particularly intriguing read: Staub collects facts and voices from sociology, theology, and pop culture and fits them into an insightful conversation about the devolution of culture and evangelicalism. He contends that most Christians, even those who travel in exclusively Christian circles, have been wooed by the forces of marketing and technology and have thereby fallen into an unconscious illicit union with superficiality and sentimentality. Staub dubs this blind self-centeredness Christianity-Lite, and he believes that to avoid a quiet backslide into mediocrity, we must get serious with our faith, sink deeper into the Word, and react to the world with intelligence and creativity. Some Christians bemoan culture’s vulgarities and believe that deepening faith requires us to withdraw into cocoons of Christian isolation and churn out happy-feely Christian art, but Staub warns us that this is not the way of Christ. Instead, he explains that like CS Lewis, JRR Tolkien, and Dostoevsky, “Christian artists are not bound to create religious art, but they understand that their exploration of everyday human occurrences is gilded by their walk in faith.” The Culturally Savvy Christian encourages us to peer through the pop culture fog, dismiss the fluff, and reach for the life-changing, the thoughtful, and the meaningful.

let me know if you want any more feedback about the book. i'd give it a 10 out of 17.

despite staub's criticism of marketing, i think his book succumbs to two marketing ploys: (1) every five paragraphs or so, he has a new section. this makes the text easy to digest, but it's a cheap writing technique. (2) staub loves to watchwords. he picks adjectives that seem heavy and laden with meaning and then he uses them again and again.

still, although i skimmed the meaty middle of the book, the culturaly savvy christian certainly succeeds in its overaching goal. it is an insightful depiction of the emergence and cure for christianity-lite.