Friday, May 08, 2009

dishes!

several facts about the history and present life of dishes in greenwood, washington:

1. there is one dish on my roommate's side of the sink; the dish is dirty. it may also be lonely--until a few days ago, there were dozens of dirty dishes to keep it company there.

2. fourish dishes are scattered on my side of the sink; they've been rinsed but probably do not fit your definition of clean. unlike the dirty dish on the eastern bank of the sink, these westerners generally prefer smaller groups of, say, zero to eleven.

3. a dozen or so dirty glasses are hanging out on the counter. until about twenty minutes ago, they were my roommate's responsibility, but we just swapped dishes for donations, so they're my responsibility now. that's right, dishes for donations. he's giving to
the other journal!

4. you can donate too, and i don't even have to do your dishes! visit http://www.theotherjournal.com/news.php?id=39, click "HERE," go through a quick registration process (sorry, that didn't use to be there--because you'll be giving so frequently, they want to provide you with silly online tools to help you manage all that well spent money), designate the donation as for
the other journal, and make the donation.

in other news, i plan to eat nachos tonight.



photo: andrew david. "bradys dirty dishes." robbins apartment, seattle, wa. according to the image properties, i took this photo at 9:38 PM on january 25, 2001, in commemoration of yet another roommate.

Wednesday, April 29, 2009

if i were reviewing this film: easter promises

this was meant to be the first in a three part series devoted to films featuring wicked knives scenes, but now it's not.

eastern promises is a deceptively simple film that reveals itself to be more of a character study than the mystery that one might expect from the trailer. it is also a film that shows no mercy on its viewers. if you like brutality, bloodshed, and naked knife fights, this is the film for you. given the plot--the story of a russian crime syndicate doesn't mind killing people--eastern promises should be harsh; the characters and their crimes should make us uncomfortable, but i really do think that to some degree david cronenberg, the film's director, just likes to make audiences squirm. i've also heard that there might be an eastern promises II soon, so beware.

rating: 13 out of 17

Friday, April 24, 2009

find john wilkes booth! donate to TOJ!

one thing i hate about traveling cheap is the luggage. it seems that at some point during almost all of my trips i find myself saddled with a bulky bags, trying to maneuver my way through tight spaces, twist myself into comfortable positions, or just fit in.

this bothersome aftermath of travel penury was the chief narrative device of the travel essay i posted here a few years back, so i'll spare you another essay on the subject. however, when beth and i visited indiana university at bloomington this spring, we found ourselves in that familiar big-bag position. and so, rather than visiting the famous lilly library together, we went in shifts--i ran off in the direction of the library while beth drank her coffee and watched our bags (and almost vice versa).

unfortunately, this meant that (1) we had half as much time to view the exhibits as we would have under normal circumstances--by the time beth signed the necessary security forms, entered an air-lock or three, and gazed at a page of scribblings by thoreau (?), it was time to go--and (2) i was without my tour guide (i.e., beth), so i really didn't know what i was supposed to be looking at.

thus, like most touristy folk at indiana u who wander into the lilly, i was clueless to the wonderful treasures in the vaults below. so i ran through an exhibit on lincoln. and it may have been interesting, but i was in skim-mode--perhaps the displays were bringing back unwelcome memories of my college paper on the fellow.

still, i did like this wanted poster. it seems almost like a fiction, that there was a day and age when wanted posters were the stuff of reality, not spaghetti westerns and disney theme parks, that the government really depended upon the people to mete out justice. and look at all that small type. i daresay that if presidents were assassinated in our modern era, no one would take the time to read that print. this poster cries out for a good graphic designer.

so what meaning can a poster like this convey to us today? how might its text serve us here and now?

i believe that if you look closely, you might see a simple message embedded in that poster. you might see a message from the abolitionists, the government, and all people of justice, a message just for you.

and it is this:

until june '09, when you donate to the other journal, your donation of $25,000 plus your employer's matching contribution of $25,000 will be matched by an anonymous mars hill graduate school donor for a total donation of $100,000!* perhaps your employer isn't into philanthropy; in that case, your donation of $25,000 will be matched by an anonymous mars hill graduate school donor for a total donation of $50,000!** or perhaps you'd prefer to scrape a few zeroes off that figure--fine! the donor will match any contribution, large or small!*** it's a lot easier than catching a murderer, especially a man whose been dead for over one hundred years. so click the link! donate now!

and when you donate, be sure to select "the other journal" in the designation field: http://www.theotherjournal.com/news.php?id=39 or https://olg.campusnet.net/OnLineGiving/nr/nrDonations.aspx?id=NTHV5KEHx%20Ao6144O/PYPR3/OKfiC2l/iO0zZWxrLm7d%208CePKjz4Q==&fg=.



photo: andrew david. "catch booth! give money!" lilly library, indiana university, bloomington, indiana.

*the donor will only match $25,000 in total donations, so if you really donate 25k, the donor won't match your employer's contribution.

** the donor will only match $25,000 in total donations, so if other donors have already given to mars hill, the matching donor, will only match your donor up to the mark of $25,000.

*** the donor will only match $25,000 in total donations, so if you donate $25,001, the maximum he will match is $25,000.

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Wednesday, April 22, 2009

beauty and aethetics

wednesday will be the debut of the other journal's issue on aesthetics. i preferred to name the issue "Beauty," but i was editorally outranked. still, in some sense i had the last word--

during the last fifty minutes of work today, i was comissioned to write the introduction for the issue. and so i escaped the cramped quarters of our subway-sandwich-smelling office (take that however you wish), squatted in a sun-soaked room overlooking elliot bay (take that squat in the pioneer sense, not the awkward physical exertion sense), and composed a few paragraphs that used Augustine (seen here blasting away at an unarmed man in yellow pants) as a lens for alluding to the various pieces we'll be publishing this issue. i don't know that the paragraphs are worthy of much attention (they are, after all, very short), but i'm happy to report that i got away with avoiding even a single mention of the word aesthetics.

as for the issue itself, we'll begin by publishing several interesting meditations on art, some nature-centric pieces, and of course, some poetry. however, i am especially excited to publish a chapter from jesus girls by jessie van eerden and interviews with greg wolfe and scott cairns.

read my introduction here: http://www.theotherjournal.com/info.php?page=intro.

stay tuned to the latest content from the aesthetics issue here: http://www.theotherjournal.com/index.php.

photo: andrew david. "isn't it beautiful how the monk is handy with a shotgun?" the art institute of chicago, chicago, il (4/09). i'm not certain of the name of the painting or painter, but it was in a series of six or so that illustrated a sequence of the yellow-pant fellow attempting rob the monastery and being outwitted/shot by this monk man. according to the placard at the museum, the paintings were based on a real historical event, but the non-nonviolent priest was not augustine.


Monday, November 24, 2008

my new book!

hey, everyone, i edited my first ever book! you can (please) buy it here or ask buy it directly from me.

and to add to the thrill of having a book published, image journal featured our book in their newsletter. whoohooo!

check it out:

Remembering the Future, edited by Chris Keller and Andrew David
Remembering the Future, edited by Chris Keller and Andrew David

Remembering the Future is a selection of works published in the last three years by The Other Journal, an online journal at the intersection of theology and culture. Included in the anthology are poems by the likes of Luci Shaw, Marjorie Maddox, and Paul Willis, interviews of contemporary thinkers such as Lauren Winner, Brian McLaren, and Charles Marsh, and essays on everything from genocide to pop music (including a piece by music writer and former Image intern Joel Hartse). The anthology charts a course across human transgression—poverty, rape, violence, genocide—into the iconography of contemporary culture—Borat, Britney Spears, reproductive technology, the ONE campaign. The book will naturally appeal to readers with a theological bent, but it does not remain in the realm of mere ideas. Rather, its contributors are interested in the ways that theology is incarnated in real life, here and now—in family and community; in politics, economics, and education; in works of social justice; and in art, literature, and music. In the preface, the editors articulate their vision that “authentic, redemptive Christian practice requires double-vision, that is, thoughtful engagement with both the biblical tradition and the cultural moment.” From a broad spectrum of creativity and theology, this anthology encourages us to rethink our comfortable paradigms in light of such thoughtful engagement. The contributors, including voices from the emergent church and the evangelical, Catholic, and mainline traditions, are not always in agreement with each other, and many of the pieces are provocative—a testimony to the diversity of perspective that The Other Journal values. The opening poem by Luci Shaw, “A Few Suggestions for an Insubordinate Idea,” sets the tone for the whole book, which seeks to goad and stir, to “fling / a glitter of ash over the ocean, pocking it like rain. / Ignite a burning bush. Transfix the universe. Then,”—and here’s the beauty of what Remembering the Future does—“having found a mind of your own, come home. / Burrow my brain. Be one of a neuron couplet / that breeds a host of your own kind.”

Click here to buy the book.


Friday, November 14, 2008

if i were discussing this book: the shipping news

the shipping news deserves a high rating; perhaps a 14 or 15 on the 17 point scale. unfortunately, i moved on to the next book before really gathering my thoughts, and so the the authentic-seeming wacky characters (with names like quoyle and wavey) have faded into the thick newfoundland fog where i last left them.

still, if i were to scratch out an essay from the cobwebbed corners of my mind, i think i might approach the novel from the perspective of an editor. (quite a shock, eh!) as i recall, annie proulx's style is somewhat unconventional: she somehow gets away with fragments. sentence shreds. and her characters, the madcap way they talk on and on about knots and the hulls of frigates--pages and pages of dialect about nothing, about nothing but getting to know the characters themselves. anyway, i think i'd try to articulate how this works and doesn't work; i'd try to understand whether this unique writing style somehow reflects the themes of
the shipping news or whether it's a way of speaking that proulx carries with her everywhere she goes; and then i'd recommend the book, because, well, it's really quite good.

Sunday, November 09, 2008

i don't like the sound of this

according to this AP report, president-elect obama plans to blast into office with a series of executive orders.

on the surface, the proposed executive orders represent a new direction for the country. if you're in favor of lifting limits on stem cell research or if you cringed at the "drill, baby, drill" chants of the republican convention, you should be happy.

but
i'm afraid that obama's mandate for change may result in a continuation of other bush doctrines, specifically the unfettered increase of executive powers. of course, it may be that this is the usual political territory for a new president and obama will represent a less power-hungry force in the oval office, but i'm not convinced.

in other news, i loved
obama's pseudoseriousness at his first press conference this week. when a reporter asked him a wacky question about the new puppy he promised his daughters for being such good sports about the campaign, obama played it straight. he calmly described the pros and cons for various dog breeds as if he were weighing whether or not to invade afghanistan.

Friday, November 07, 2008

vocab (mccarthy style from the back page)

today a facebook friend told me that he loves jane eyre because of charlotte bronte's interesting use of punctuation. and then, in a seemingly unrelated incident, another friend commented on the story that i wrote about my encounter with a man and his paradox finding device. not to gloat, but she gave me a very big compliment on the piece; she wrote, "Andrew I love this! And, by the way, you sound like...cormac mccarthy. I'm serious." i was feeling very happy, but then i remembered that this particular 17 point scale fan didn't enjoy reading cormac mccarthy. hmm...

anyway, it just so happens that i have a post that i've been meaning to publish on punctuation and cormac mccarthy, and the conversion of these two incidents seems like the sign that i've been waiting for. it is time.

over the course of my blogging career i've written several entries under the heading of "back page." these were blog posts that borrowed their text from the postscripts of occasional wisdom and much long-winded, overblown verbosity that i scribbled in the back pages of the novels that i recently finished reading. although i like the idea of the "back page" posts, i have since stopped writing in my novels, which makes the simple transcription from book to internet nearly impossible. thus, i am phasing out the "back page" posts and using this post as something of a transition...

xii.
THE BORDER TRILOGY, books 1 and 2


all the pretty horses
by cormac mccarthy
the crossing by cormac mccarthy

critical accolades:
all the pretty horses won the national book award and the national book critics circle award.

less official acclaim:
greg wolfe, editor of image, has repeatedly described cormac mccarthy as one of the greatest american writers, and the crossing as cormac's greatest novel.

the 17 point scale concurs:
these are my favorite books of 2007, and cormac mcarthy is my favorite author of 2006 and 2007. he is the master of the dark, thoughtful novel of hope. his characters occupy a strange space between passion and stoicism, and his landscapes are quietly authentic.

but i'll spare you a mccarthy lovefest. instead, i'll bludgeon you with another andrew favorite, grammar.

as i was reminding myself about the plots of all the pretty horses and the crossing, i stumbled upon a new word: polysyndeton.

yes, apparently, cormac writes using polysyndeton. i knew this, i've just never put a name to it. he writes of a man walking and stooping and brushing the blood from a horse's hoof. cormac is stylistically spare--he shuns question marks, semicolons, and the ever-helpful quotation mark--but in my attempt at cormacian polysyndeton, you'll note a superfluous and. that's because polysyndeton is the deliberate use of several unnecessary conjunctions in close succession. i've called it the literary and but polysyndeton is probably a more universal term. in any case, passages like this are the bread and butter of mccarthy. they subtly slow down the text and thereby help communicate a sense of quiet. they also a have a distinctly biblical feel.

if you're not mccarthy, you probably write using syndeton or a single conjunction.

or perhaps you're crazy. perhaps you write using asyndeton, that is, the deliberate omission of conjunctions altogether. you know, little jewels like: i came, i saw, i blogged.

(and then i stopped blogging for several months because i was so busy working for that great shining star of online awesomeness,
the other journal.)

Tuesday, November 04, 2008

election 2008, andrew, and a curious device, part ii

CONTINUED FROM PREVIOUS POST (wherein andrew describes his encounter with the paradox finding device)

later, as we sat in the kitchen alcove of beth’s house sipping hot chocolate, the man pointed to a series of digits on a print-out. “now, see this? everywhere you see a string of numbers like this—three-eight-eight, oh-two-seven—that represents a potential metaphysical inconsistency.”

i considered 388 027. the number had no obvious significance, no sign of a pattern or mathematical errancy, nothing for the likes of an english major.

the man danced a practiced finger from row to row as he scanned the digits. he grunted occasionally, belched loudly when his finger stopped below a series of seven 9s, but otherwise seemed entirely absorbed in this gypsy math.

then, from behind the curtains i heard the now familiar hum of the paradox finding device. strange that i hadn’t noticed it before, i thought. then the curtain moved—i hadn’t seen the device move before, just the noise and lights. the curtains jiggled again. perhaps i’d found the paradox motherload.

april’s cat stepped out from behind the curtain, eyed me curiously, and turned back into the long fabric.

“hi, josie,” i said. “what do you have back there?”

i could now make out her figure behind the curtain, nipping at what must be the paradox finding device.

josie, leave that alone.”

leaving the man to his cryptic pages of digits, i walked into the kitchen. the counters were mostly bare. a spicy curry-like substance stewed quietly on the stove. next to the wine rack i spotted the bright blue spray bottle.

josie!” i called, “you better leave that thing alone.” grabbing the half-full bottle, i returned to the alcove. the cat had batted the strange device into the middle of the room. she pawed at it in what seemed regular intervals.

“are you planning to spray that cat?” asked the man. he was staring at me now.

“maybe,” i lied.

“of course—well, don’t bother. come; sit, sit. there’s interesting stuff here, but i think that all we have time for are these twenty or so pages.” he was pointing to a stack of pages he’d labeled “election 2008.”

“this is amazing stuff. you score a seventeen!”

“is that good?”

“well, it’s a true paradox, that’s for certain.”

“oh, OK.”

“see, look here. these numbers suggest that on both a global and a micro level you hold views that are paradoxical.”

“what do you mean?”

“for starters, you genuinely believe that barack obama is the moral choice for president, and the immoral choice for president, and that there is no moral choice for president. and you believe that mccain is in many ways the best that the republican party has to offer, but don’t expect to give him your vote—”

“i follow you, but you’ve got to give me some credit for consistently thinking that sarah palin is a loon.”

the cat had abandoned the paradox device and was purposefully walking about the room.

“meow,” she said.

“hmm. perhaps. nonetheless, you believe that capitalism, democracy, and the protestant work ethic are keys to the continued success of the united states, that distributism and quasi-socialism are keys to the ensuring equality of man, and that these systems are all myths, half-truths to make us feel that we can build sustainable society.”

“right, i see where you’re going with this. i’m stuck with these non-negotiables—we must have the freedom to earn our own keep, control our destinies, and live our lives without the interference of a malignant bureaucracy, yet the very system that allows such american dreams seems set up to propagate inequality, poverty, and poor health care. the rich get richer and the poor get poorer. and although many churches and social programs successfully address these needs, others create generational patterns of welfare.”

“oooh, boy,” he cried, looking down at the print-out, “and we haven’t even mentioned the abortion issue.”

i couldn't resist the bait. “i buy the arguments of websites like proobamaprolife.com, which describe how obama’s emphasis on decreasing the number of unwanted pregnancies through education, birth control, and condoms will have a greater impact on the number of aborted babies than any policy of mccain’s. and i hate how the republican party has co-opted this issue as the one way to keep evangelicals in their electoral camp. but i’m going to have trouble voting for a candidate that supports increased access to abortion.”

“you don’t even need me!” he flipped to another page. what about your so called objectivism?”

“what do you mean? i’m a model of objectivity. after all, i’m an ISTP.”

“then how is it that you are so swayed by the call for change, by smooth talking, amazing speeches, and funny jokes? why do you esteem the underdogs and challengers over the seemingly capable incumbents? and why do you allow personal grudges—i.e., the lack of response to your supersonics pleas—to impact your vote? and for that matter, why do you so prize objectivity? ”

i stared at the man, dumbfounded. i looked at the pacing cat, at the hanging drapes, at the curious buzzing device on the floor. “i don't know. what’s the answer?” i asked.

he ran a hand through his hair, shuffled the papers into a yellow attaché case, and stooped down to pick up the device. the cat meowed once, twice, and a third time. with tired eyes he looked at me and then back at the cat.

“she says that you are the answer.”

Sunday, November 02, 2008

election 2008, andrew, and a curious device

“the device is used to spot paradoxes,” explained the man as he slapped it against his thigh. “if there is a paradox, these lights here, here, and here will blink swampy moss green, night-shade eggplant purple, and laundry blue.”

“and—those are colors?” i asked.

“yes, the colors of paradox.”

he pushed his chair back and walked toward me. the device dangled in his hand like a strangled bunch of metallic carrots. it whirred and hummed against his side.

“show me again,” i said.

he nodded, gave the awkward device three quick shakes, and dropped it to the floor—not a sign of flashing lights. the device purred but remained inert.

“but first can i touch it?”

nodding, he reached down and grabbed the device by what looked curiously like a stem. he offered it to me.

“don’t worry it won’t bite,” he chuckled.

it didn’t bite, but it kept buzzing. i carefully examined the contraption, testing its weight in my palm, listening for the source of that noise, turning it to explore its edges, grooves, and nubs.

i handed it back to him.

“OK. i suppose i’m ready.”

again, three shakes, and then he tossed me the device. nothing happened. it murmured in my hands just as it had a moment earlier on the floor of beth’s living room and when slapped against the man’s thigh. and then, it suddenly lit up. a carnival of greens, purples, and blues flashed through my fingers.

“a paradox!” shouted the man.


CONTINUED IN THE NEXT POST (wherein the mysterious paradoxes are unraveled)

Thursday, October 30, 2008

the very bad landlord 2

CONTINUED FROM PREVIOUS POST

7/3/07

you see, a long time ago, say two and a half years, mr. pastor guy was my landlord--apparently leading the mars hill flock doesn't pay as well as playing slumlord in north greenwood.

that wasn't a misprint; after graduating from SPU i spent one year in a two-room apartment across the street from love zone and the liquor store, but aj's basement was the closest i've come to a tenement.

the house boasted 5 dorm-sized rooms and alex, nathan, and i found our way into the smallest. the room was just big enough for alex's bed, a bunk bed, and a dresser. if our blood alcohol level was really low and we timed things just right, we could just manage to walk from one end of the room to the other without knocking a knee against a wall. thankfully, it only took a step or two to cross that vast expanse, enter the hallway, and grope at my dresser, which was sandwiched between the water heater and some cobwebs.

and i had it good. as far as i know, nathan stowed most of his belongings in his jeep cherokee. for those two months of tenement bliss, he lived like a modern gypsy.

i can't blame the minister for our sardine state. nathan was getting married in a couple of months and i was searching for a new roommate; we were too cheap to fly solo in the cruel world of seattle rentals, and alex was too nice to knock us on the head with a crowbar of common sense. i suppose he could have thrown the RCW our way too--there must be a city ordinance against cramming 500 pounds of human flesh into 5 square feet.

which brings me back to aj.

in some sense, aj was charging alex a reasonable price for the room. they were mars hill brothers, so aj probably thought it would be good of him to cut alex a deal. but when alex told aj about his closetmates, the kindly hearted preacher grew stony.

OK, that's a true story, but i don't know where i meant to go from there. at the end of the post i wrote the following:

back story to backbackstage tale of intrigue
this obscure phrase was then followed by a list of names. well, i don't see the intrigue (except in not telling you who was on the list), and i can't recall the story that was supposed to be revealed through the telling of all that back story, but i can tell you this: i can't imagine myself ever doing that again.

Wednesday, October 29, 2008

a wedding and a precursor

7/1/07

as of this date, my former roommate, alex the indie music hookup, is married. there were three highlights to his wedding:

first, it was the best wedding i've ever attended that consisted entirely of recorded music. well, i can't be entirely certain of that, but generally i tend to think that live musicians provide weddings with a special, unique feel that is noticeably absent when another recording of pachelbel's canon hits the stereo. somehow sappy wedding music that's live is infinitely more tolerable than sappy music from a CD. however, despite my strongly pro-live perspective, i was happily suprised by alex and katie's wedding. they picked a satisfying selection of contemporary songs that lent their wedding a fresh gravity. the only potential for a musical frown during the event was that they didn't hire our band--that's right, they marched out of the sanctuary to sufjan's "chicago" (!) and they didn't hire us. maybe they thought i was too busy with my usher duties.

second, the food was delicious.

and third, the pastor. he wasn't delicious, and he wasn't a highlight in the traditional sense of the word. it was his first wedding and his sermon aimed at the epic rather than the simple. i think he was trying to read through the bible in 80 days or three wedding services, whichever came first. still, he didn't stutter, stammer, or stare blankly at the waiting couple. it was a decent first time.

no, his highlightyness was more related to his role as the protagonist in a behind-the-scenes tale of mystery and mayhem than any personal trait.
TO BE CONTINUED IN THE NEXT POST!

Monday, October 20, 2008

i watch a lot of movies

in preparation for the upcoming film, faith, and justice event, here's another movie-related post!

on january 9, 2008, my favorite movie critic, jeffrey overstreet, provided a list of his top 25 films of 2007. he has since updated the list, but i have pasted the original list below. i have bolded the films that i have seen. of course, i'm not sure why i'm doing this, but everyone likes lists, right?

1. Into Great Silence

2. There Will Be Blood
3. The Devil Came on Horseback
4. The Diving Bell and the Butterfly
5. Lars and the Real Girl
6. Ratatouille
7. Zodiac
8. Paprika
9. I’m Not There
10. No End in Sight
11. This is England
12. The Assassination of Jesse James by the Coward Robert Ford
13. Away from Her
14. Once
15. Juno
16. No Country for Old Men
17. The Savages
18. The King of Kong: A Fistful of Quarters
19. The Wind That Shakes the Barley
20. Into the Wild

21. La Vie en Rose
22. Climates
23. God Grew Tired of Us

24. Manufactured Landscapes
25. Jindabyne

Runners-up:
  • Perfume: The Story of a Murderer
  • Waitress
  • Eastern Promises
  • The Darjeeling Limited
  • The Namesake
  • Offside
  • The Lookout
  • Dan in Real Life
  • The Simpsons Movie
  • The Bourne Ultimatum
  • The Host
  • Bella
  • Amazing Grace
  • Hot Fuzz
  • Knocked Up
Others that Jeffrey hasn't seen
  • 4 Months, 3 Weeks, and 2 Days
  • Gone Baby Gone
  • Syndromes and a Century
  • Ten Canoes
  • Great World of Sound
  • Ghosts of Cité Soleil
  • My Kid Could Paint That
  • Rescue Dawn
  • Persepolis
  • Talk to Me
  • Before the Devil Knows You’re Dead
  • Rocket Science
  • American Gangster
  • The Great Debaters

Thursday, October 16, 2008

i have to get ready

i really like this video.



and also, if you happen to know anyone with a commercial popcorn maker that i might be able to borrow for the Film, Faith, and Justice festival at Mars Hill Graduate School next weekend, please let me know!

Sunday, October 12, 2008

events!

in case you haven't heard, the other journal is putting on the third annual showing of their film, faith, and justice (FFJ) festival. i haven't been yet, but it seems like a great event--award winning documentaries from the human rights watch traveling film festival, crazy cool speakers from around the nation, discussion panels that include local community leaders, nonprofit volunteer opportunities--wow.

generally speaking, when i watch films like
hotel rwanda or the devil came on horseback, i'm paralyzed by a stark understanding of my own monetary, time, knowledge, and geographical limitations; i'm caught by that ugly question, what now? however, with FFJ, i'm hopeful that the illuminating lectures, discussions, and nonprofit booths will help provide some context, thought, and directive for how i am to respond to these kinds of films.

you can check out FFJ on facebook or the FFJ site (buy tickets here).

you can see some of the movie previews here:

also, monday night at 5pm (october 12), there's a mock debate at the SE senior center at rainier and holly. if you go, be sure to say hi to mike and mari, friends of the 17 point scale, and perhaps me.

Thursday, October 09, 2008

my vocation

10/18/07

i sometimes wonder about the utility of my vocation. if society is sucked down the tubes of economic ruin, my job would be one of the first to go. if the global market crashed, my wordsmithing skills and knowledge of grammar would make me an eloquent beggar, but a beggar i'd be. and when i'm feeling doubtful about my career path, these thoughts make my skills seem insignificant: i don't have a practical skill, i think, i can't build houses, kill deer, or fix automobiles. i can't heal insomniacs, calculate foreign tax returns, or operate an oil refinery.

i'm not sure where i was going with that--in fact, one of the labels for this post was originally "soccer"; i don't know how that fits in--but i suppose it's all true. if you think of maslow's hierarchy of needs (remember, that pyramid from your freshman psychology class), art is somewhere at the top. but does that mean that my intended profession is less valuable than the professions that may occupy the bottom? or, conversely, does that mean that my intended profession is more valuable than the professions at the bottom? does it matter?

Tuesday, October 07, 2008

good 17 points scale news!


at the request of my reader, i have prepared a little bit more content for the 17 point scale, at least 8 posts in fact!


[photo by andrew david. "we shall be happy again!" somewhere in the cascades, wa.]

Sunday, September 21, 2008

if i were reviewing this film: smart people

smart people follows the awkward relationships of a sorry, self-absorbed professor, his family, and an ex-student now-MD love interest. if i were to review smart people, i might liken the film to its professor-protagonist: like dennis quaid's character, the film has a pretentious, elitist feel that lacks beauty and soul.

for a full review on the film, see http://www.msnbc.msn.com/id/24001511/

PS i do find it interesting that the filmmakers decided to cast the intellectual grump as an english prof. when conjuring academic stereotypes, my first instinct is to cast hypothetical english profs as individuals who are passionate about literature, otherwise mousey types that become strangely animate in the presence of language and writerly minutia. i suppose this reflects my own experiences in college and my belief in the transformative power of art--in what department might you cast a brainy, cynical jerk who's all ego and no soul?

Monday, August 11, 2008

my girlfriend's a cosmo girl!

that's right, i'm dating a cosmo girl. you can find her at http://www.cosmogirl.com/guys/love-stories/love-stories-wet-kiss.

the photo was taken as part of an extensive photo shoot. cosmo paid me somewhere between $0.17 and $1.56 for this image.

Friday, August 08, 2008

Kierkegaard in '08

in case you're not sure who to vote for yet, here's a convincing campaign ad:

Tuesday, August 05, 2008

i like this band

whoohoo! now you can listen to synthar while browsing the 17 point scale ratings, which i intend to update a bit more frequently during the upcoming three months.

well, now that i've posted this, i realize that the sampler tends to fade out before the songs really bloom. generally speaking, i would recommend sampling tracks 5 (a post-apocalyptic warning), 9 (the sampling function fades before the amazing life-changing beat), 10 (very sad), and 11 (very happy).



and then later, you can buy their album.